STANTON Surname in Dorset, England

Saturday 2 May 2009 @ 5:54 pm

www.stantonetal.com/genealogy

This genealogy site details my family history, centered on the STANTON family of Dorset. It also includes a range of other family surnames - here are the top 25:

1. STANTON (69)
2. ? (68)
3. HEATH (51)
4. TARGETT (37)
5. CULLINANE (30)
6. SMITH (28)
7. BENHAM (26)
8. HUDSON (25)
9. CAMPBELL (25)
10. ROLLS (18)
11. EAMES (18)
12. ENGLEFIELD (17)
13. SHEPPARD (16)
14. DAVIS (16)
15. LOVELL (15)
16. WEST (14)
17. AYLIFFE (14)
18. BECKHAM (13)
19. PATTEN (11)
20. TURNER (11)
21. WOODS (10)
22. CROCKER (10)
23. BUNYARD (9)
24. FLETCHER (9)
25. NAPIER (8)




STANTON Surname in Dorset

Saturday 2 May 2009 @ 5:50 pm

www.stantonetal.com/genealogy

This genealogy site details my family history, centered on the STANTON family of Dorset. It also includes a range of other family surnames - here are the top 25:

1. STANTON (69)
2. ? (68)
3. HEATH (51)
4. TARGETT (37)
5. CULLINANE (30)
6. SMITH (28)
7. BENHAM (26)
8. HUDSON (25)
9. CAMPBELL (25)
10. ROLLS (18)
11. EAMES (18)
12. ENGLEFIELD (17)
13. SHEPPARD (16)
14. DAVIS (16)
15. LOVELL (15)
16. WEST (14)
17. AYLIFFE (14)
18. BECKHAM (13)
19. PATTEN (11)
20. TURNER (11)
21. WOODS (10)
22. CROCKER (10)
23. BUNYARD (9)
24. FLETCHER (9)
25. NAPIER (8)




Richard Upjohn

Sunday 19 August 2007 @ 5:55 am

Richard Upjohn (1802-1878) was an English-born American architect whose expressive vocabulary of Gothic design helped to make this style popular in the mid-19th century.

Richard Upjohn was born in Shaftesbury, Dorset-shire, on Jan. 22, 1802. At the age of 27 he went to America with his wife and son. Upjohn became a skilled cabinetmaker before entering the profession of architecture, which explains his penchant for precise, meticulous architectural decoration. Detailed Gothic buildings probably gave him more pleasure to design and construct than the currently popular Greek revival style, whose proportions he could approve but whose paucity of decoration was to him absurd.

Trinity Church set the tone for numerous other Gothic churches throughout America, and it helped Upjohn get a large number of commissions which placed him at the top of his profession. His other notable churches are the Church of the Ascension, New York City (1840-1841); Christ Church, Brooklyn (1841-1842); Grace Church, Providence, R.I. (1847-1848); Grace Church, Utica, N.Y. (1856-1860); St. Peter’s, Albany, N.Y. (1859-1860); Central Congregational Church, Boston, Mass. (1865-1867); and St. Thomas’s, New York City (1868-1870)—all designed in variations of the Gothic theme.

Upjohn’s public and commercial buildings were generally done in an Italianate style with semicircular, arched windows and doors. They are monotonous in the repetition of motifs and lack compensating decoration.

Sporadic attempts to form an association of professional architects were made for 2 decades before Upjohn and 12 other New York architects organized as the American Institute of Architects in 1857, with Upjohn as first president. The list of members soon included all the best architects of the era, and the institute is still central to all professional activity in the country.

Rural Architecture (1852) is Upjohn’s only complete book, though many drawings and photographic views of his buildings appeared in contemporary magazines. He died in Garrison, N.Y., on Aug. 16, 1878. His most important pupil was his son Richard M. Upjohn.





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